Publications by the Network Members
Beers, J. 2018. Creating Ambiguity in Music. Berlin.
Buyken, E. 2020. Zur epistemologischen Qualität körperlicher Erfahrungen in der musikalischen Praxis. Beispiele künstlerischen Forschens mit Studierenden der Hochschule für Musik und Tanz Köln. In A. Jacobshagen Ed. Musik, die Wissen schafft! Perspektiven künstlerischer Musikforschung. Würzburg: Königshausen: 263-280.
Kahr, M. Ed. 2021. Artistic Research in Jazz: Positions, Theories, Methods. London: Routledge. https://www.routledge.com/
Kahr, M. 2020. Artistic Practice and/as Analytical Method in Historical Jazz Research. Rivista di Analisi e Teoria Musicale 2019 (1), 129-153.
Kahr, M. 2018. Artistic Research in Jazz: A Case Study and Potential Developments. In J. Dack and M. Doğantan-Dack Ed. Music and Sonic Art. Theories and Practices. Newcastle: Cambridge Scholars Publishing: 183-198.
Kahr, M. and Zaddach, W.-G. 2023. Methods for the 21st Century: Artistic Research as a new Research Paradigm in Popular Music Studies. In Dines, M. et al. Ed. Handbook of Popular Music Methodologies. Bristol: Intellect (forthcoming).
Lin, W. and Kretz, J. 2020. Performing Artistic Research – Decolonizing Academia. Symposium Proceedings UVPA Colombo: 180-190. https://www.academia.edu/42687499/PERFORMING_ARTISTIC_RESEARCH_DECOLONIZING_ACADEMIA
Lin, W. and Kretz, J. 2021. Creative (Mis)understandings: A Methodology of Inspiration. In Huber, A. et al. Ed Knowing in Performing. Artistic Research in Music and the Performing Arts. Bielefeld: transcript: 111-130.
Lüneburg, B. 2018. Worldmaking — Knowing through Performing. In Huber, A. et al. Ed Knowing in Performing. Artistic Research in Music and the Performing Arts. Bielefeld: transcript: 185-200.
Lüneburg, B. 2018. TransCoding. From ‚Highbrow Art‘ to Participatory Culture: Social Media – Art – Research. Bielefeld: transcript. https://www.transcript-verlag.de/
Lüneburg, B., Ciciliani, M. and Pirchner, A. Ed. 2021. Ludified. Artistic Research in Audiovisual Composition, Performance and Perception. Berlin: The Green Box.
Penderbayne, S. 2018. Cross-genre composition: encoding characters in the chamber opera I.th.Ak.A. with semiotic elements derived from commercial music genres. Hofheim: Wolke.
Penderbayne, S. 2018. Composing the Music-Theatre Work I.th.Ak.A. within a Framework of Artistic Research. ACT. Zeitschrift für Musik und Performance 8/2018: 1-23.
Zaddach, W.-G. and Kahr, M. 2023. Methods for the 21st Century: Artistic Research as a new Research Paradigm in Popular Music Studies. In Dines, M. et al. Ed. Handbook of Popular Music Methodologies. Bristol: Intellect (forthcoming).
Zaddach, W.-G. 2021. Artistic Research in der populären Musik? Zu den Potentialen und Herausforderungen einer künstlerischen Musikforschung für die Popular Music Studies. In M. Ahlers and D.-E- Wikström Ed. Samples. Online publications of the Society for Popular Music Research. Special Issue ‘Power and Threat in the Context of Popular Music’. http://www.gfpm-samples.de/Samples19/Zaddach.pdf
Zaddach, W.-G. 2019. ‘Groove is the essence of my music’: Wayne Krantz’ guitar playing from a practice-based perspective. In M. Pfleiderer and W.-G. Zaddach Ed. Jazzforschung heute. Themen, Methoden, Perspektiven. Berlin: EMVAS: 133-146. https://jazzforschung.hfm-weimar.de/wp-content/uploads/2019/06/JazzforschungHeute2019_Zaddach-Krantz-Artistic-Research.pdf